• Kit

24MM Tilt and shift

specifically designed for architectural photography

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Description

The revised Canon 24MM Tilt and shift (TS-E 24mm) f/3.5L II lens is specifically designed for architectural photography. With a wide-angle 24mm focal length and ±8.5° of tilt available, plus ±12mm shift and ±90° of rotation on both the tilt and shift mechanisms, the TS-E 24 mm f/3.5L II offers exceptional flexibility. It also feature locks on the tilt and shift mechanisms to avoid unwanted movements.

Expanding the possibilities for tilt and shift photography

The TS-E 24mm (TS-E 24 mm) f/3.5L II allows tilt and shift movements to be made independently of each other. This means perspective and depth of field can be controlled separately, vastly enhancing lens flexibility.

Widest range of movement

A wide-angle focal length of 24mm, combined with ±8.5° of tilt and ±12mm shift makes the TS-E 24mm f/3.5L II a versatile optic. Furthermore, ±90° of rotation on both the tilt and the shift mechanisms is available. The lens also features locks on the tilt and shift mechanisms to ensure unwanted movements are avoided.

High precision lens elements

A high-precision, large-diameter moulded glass aspherical lens element gives outstanding edge-to-edge resolution and low distortion. Chromatic aberration – common in wide-angle shooting – is combated by four UD (ultra-low-dispersion) elements.

Subwavelength structure coating

Designed for use in digital photography, Canon’s patented lens element coating helps minimise the ghosting and flare caused by internal reflection and helps to deliver crisp, clear images.

 



Progressive Broadcast Hire Ltd

11 Fairley Street
Glasgow, City of Glasgow, Scotland G51 2SN
United Kingdom (UK)
Phone: 01414202053

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Additional information

Features:

Tilt and Shift lens
Wide 24mm focal length for landscapes and architecture
Large range of movement: ±8.5° Tilt and ±12mm Shift
Shift mechanism rotates +/-90° allowing shift in any direction
Tilt mechanism rotates +/-90° allowing tilt in any direction relative to the shift
Aspherical and UD lens elements minimise chromatic aberration
Sub wavelength structure and super spectra coatings minimise ghosting and flare
Circular aperture for creative, blurred highlights

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