The Convergent Design, Odyssey7 Q is an oled monitor, professional recorder, and playback deck, all in one.
As a monitor, Odyssey7Q features a 7.7” OLED screen with 1280×800 resolution. Additional exposure aids include a programmable false color mode, zebras a waveform monitor (luma or RGB parade) and a histogram (luma or RGB parade).
As a recorder the Odyssey7Q captures multiple signals and formats reliably to Solid State Drives. Odyssey7Q records HD or 4K Apple ProRes 422(HQ) or uncompressed video DPX files. Several record Options are available for purchase and/or rent via this website to allow recording of RAW data signals from the ARRI ALEXA, the Canon C500 or the Sony FS700. Convert the RAW signal into high quality compressed video files for quicker turnaround in post. Additional recording formats will be added via firmware updates.
Quickly toggle to Play Mode to watch your clips. The touch screen allows you to intuitively scrub through your clip or use the Step or Fwd/Rwd to get where you need to be quickly.
The BlackMagic HyperDeck Studio Pro records 4:2:2 SD/HD in full uncompressed quality plus Ultra HD in ProRes.
Use ProRes 422 (HQ) or DNxHD compression for high quality HD video in file sizes that provide 5 times longer recording than uncompressed. For even longer recording use ProRes 422, ProRes 422 (LT) and ProRes 422 (Proxy).
HyperDeck Studio Pro features 6G-SDI, HDMI 4K and analog component connections, plus professional XLR audio and built in Thunderbolt connectivity. It includes a built in power supply for convenience and the 1 rack unit size fits easily into any studio or portable rack.
A companion to the Sony F55 camera, the Sony AXS-R5 Access Memory System recorder captures more tonal values than the human eye can differentiate. This is also the ideal match for the 16-bit linear ACES workflow. For simplified creation of offline proxies, the camera even provides simultaneous onboard recording to SxS® cards using the same start frame and stop frame as the RAW recording.
The AXS-R5 has another clever advantage. Its HD-SDI output provides a closer-to-RAW live demosaiced image for outboard monitors and recorders. This is a 4:2:2 10-bit digital signal with S-Log 2 encoding to protect highlights and shadows.
For video facilities transitioning from tape to file-based workflows for recording and playback, the Ki Pro Rack offers high-quality, ‘ready-to-edit’ file capture, designed to get material from source to editorial as quickly as possible.
With a wealth of professional connections, Ki Pro Rack will fit right into your existing cabling and routing system and record 10-bit Apple ProRes and Avid DNxHD files direct to removable hard disk or SSD Storage Modules, eliminating the need for time-consuming logging and capturing. The files can be used in most editing systems without the need for additional transcoding or importing processes.
Compact, lightweight and designed to fast track your footage from camera to editorial. Aja’s Ki Pro Mini mounts easily to any SDI/HDMI camera and records ‘ready-to-edit’ files in Apple ProRes and Avid DNxHD formats.
The Ki-Pro mini can attach between the camera’s battery plate and battery, allowing for fuss free mounting.
Unlike to full size Ki Pro, the mini uses compact flash cards instead of bespoke drives.
It records in Apple ProRes 422 or Avid DNxHD formats. When it’s time to edit, just remove the CF media, transfer to your computer via card reader, and the footage is ready to use straight away in your editing software, without the need for additional import or transcoding steps.
Aja’s full size Ki Pro combines the power of a file-based recorder with the familiar controls of a tape deck in a portable format that you can carry with you, anywhere.
The Ki Pro established a new paradigm for tapeless video recorders by being the first recorder to offer support for creating Apple ProRes 422 files, which revolutionized how footage could be moved efficiently from production to editorial. Editors are able to work with footage immediately without the need for special file importers or transcoding steps. The workflow is simple: record with the Ki Pro, remove the the KiStor Storage Module from the Ki Pro and connect the KiStor Storage Module to the edit system via built-in connectivity.
The Nexto NVS2525 units are portable field back up drives, designed to provide secure backups while you are on location.
We have two options – standard non UDF and the UDF special which supports both UDF & FAT32 formatted memory cards.
The NVS2525 Video Storage pro+ contains an internal hard disc drive of 750 GB while the Plus 1 Pack notably includes an external eSATAp 750 GB hard disc drive, a Compact Flash adapter, a holding case for the external HDD, a carrying case for the NVS2525 and external HDD, as well as a rechargeable lithium battery for powering both the NVS2525 and the external HDD simultaneously.
Easily mounted to your camera, Convergent Design’s nanoFlash is designed to record higher quality images than the camera itself, by capturing uncompressed video/audio from the HD-SDI or HDMI output.
The nanoFlash utilizes the high-quality Sony XDCAM 422 CODEC, recording the video/audio onto affordable and readily available Compact Flash Media, at up to 160Mbps (Long-GOP) or 220 Mbps (I-Frame). The footage can be stored in either Quicktime (MOV), MXF, or MPG file formats, providing near-universal NLE support as well as DVD / Blu-Ray authoring formats.
Record direct from an HD-SDI to cheap and easily available CompactFlash cards and record direct to your NLE systems file type. No more transcoding. With variable frame rates at your disposal you can record at 50/100 Mbps (Long GOP) or 220 Mbps (I Frame only).
As both a recorder and player, nanoFlash supports HD-SDI (in/out) as well as LTC in, wired remote control and power/start/tally light connector.
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